In Great Britain, and the movement of reference was the dramatic movement that arose in the early years of the twentieth century, and continued and developed between the two world wars, and became, after 1950, the dominant form of theatrical organization outside of London. Created the first companies reference and made a protest against the domination in London theaters in the area, along with the desire to balance the commercial successes of the west end. My argument in this article is that the time has come to renew the protest against the hegemony of modern British theater's' west end.
After the end of the Victorian period, and things began to change significantly. And Annie Horniman "one of the most important forces in shaping the theater of the twentieth century in England" (Flannery, 1970, p.34), and the financing of many projects worthy of attention and play the critically acclaimed and the launch of the functions of many famous personalities in the world of drama. I am one of the main promoters of realism in the theater in the United Kingdom, having noted with interest some of Ibsen's plays. She also became aware of the reference number of theaters in Germany and was keen to include England in the cultural value they brought. At the time bought Annie Horniman and the renewal or funded many of the theaters that I went to achieve international recognition, as well as the development of the modern movement reference and enrich the culture of British drama, which won an honorary master's degree. More importantly, cooperated with the Horniman Yates, the World Bank on the establishment of Abbey Theatre in Dublin as the first reference to British theater in 1903. In 1907, then bought the Gaiety Theatre in Manchester, and reconstruction as a reference to regional theater. Harold Brighouse was the last pro-fun Manchester, playwright and prolific of more than seventy plays. Brighouse was the dominant style of writing realism, and with Annie Horniman, was one of the British and the first to enter this project a new type of theater in British society. Brighouse, the author of 'Hobson's choice, and other writers who work in the realistic style, and likewise in the fun became known as the Manchester school, which influenced the work of many other regional theaters reference.
When you use the British system was in the reference period in the early success, to be smaller cities that have supported the theater. He also said that the current resident of a different play every week, usually from a revival of the classics, but sometimes, if given the opportunity, and new toys - the rights that would have been released recently after the end of the West or Broadway run. However, were not known of these companies to produce and develop new ones, and employers who have not been tried. Overall, the companies include 'the women' and 'leading man', and two younger players who will play the roles usually romantic. There will also be the representative on the 'character' and actressDo you who usually play older roles and perhaps 'Soubrette' which will play a cheeky, mischievous and roles, which cast a shadow of the population of seven actors. Do you sometimes to submit a 'guest star for in the company's short-term to strengthen the presence of the public and help to pick up ticket sales.
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The years between the 1950s and 1970s in some of the richest of the dramatic culture in Britain with a wide range of products. Were not alone classic performed, as we see in theaters today's professional, but also many of the plays produced, both within and outside of the western, and contemporary, with playwrights such as Russell and the following, Osborne and John Harold Pinter bring new targeted to a depth of British theater. Enable regional theaters reference a wide range of the new book to develop an interesting combination of drama, often with a local or a social issue and political.
Today, the situation has returned to theaters with much of what it was pre-op, with the 'regional theaters, mostly produced in the amateur production, the production toured in some cases, one night entertainment shows such as concerts, dance performances. In contrast, dominated on the western edge of Shakespeare and musicals - many of which are the work of Andrew Lloyd Webber - theaters with only a very few plays, and those of the long ago and rarely change. Television has become the dominant way at the expense of live drama. Without reference to the theaters there are very limited opportunities for actors to develop their talents and training and learning their craft, resulting in the overall system of the British Arts and wilting is being reduced in the presence of a very rudimentary and unpolished. As Lord Rex in the House of Lords, in July 14, 1988, "Regional theater is the birthplace of most new jobs and a training ground for our industry."
The film and television as a means dominant increasingly for drama and acting over the past fifty years, with many actors who have been trained professionally in the theater, and go to work 'on the big screen, and change the certificate to pay more and brings more impressive public approval. Reproduced a wide range of classical drama and constantly being on film and broadcast on television, which makes it possible for the majority of the population, but film and TV does not offer a lot, especially for those who can not go to the theater regularly to have some experience of the drama educator.
I think that there are many good reasons why we need more theaters reference today, and perhaps more importantly, it encourages, and the preparation and training of young actors and playwrights from the scene altogether so professional, and players are more experienced and better trained to the public. This has worked for hundreds of actors over the years, many of whom have gone on to become Britain's finest performers drama. There is no point training of actors, the best stage if there is no demand or opportunity for them to practice their skills of dramatic performance.
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