In Britain, and the movement of reference were dramatic movement that arose in the early years of the twentieth century, and continued and developed between the two world wars, and became, after 1950, the dominant form of theatrical organization outside of London. Created the first companies reference and made a protest against the domination in London theaters in the area, along with the desire to balance the commercial successes of the west end. My argument in this article is that the time has come to renew the protest against the hegemony of modern British theater's' west end.
In the second half of the reign of Queen Victoria, and most people got more money and worked fewer hours than ever before. This means that for the first time, ordinary workers have enough time to enjoy the entertainment and entertainment. By the mid-1800s, and most big cities, several theaters, and offer a range of programs 'singing and dancing' at all that all family members. Of the 1860s, the theater became a great success not only were decorated to make them more comfortable with the appropriate relaxed seats and carpets, but also introduced matinees and replaced by the style of representation of the theater with the new realism, a leader in the continent by writers such as Ibsen. Put this means of box sets on the stage to create a room or rooms and a sound then be decorated with all the household items are appropriate for this kind of room, and set the room looks just like real life. At the beginning of the nineteenth century, the theaters stayed open long hours, often until midnight, the tragedies and farces, pantomimes and other forms of entertainment which appeal to a large audience. The theaters are not always the most healthy and safe places to visit. However, it remained by the end of the theaters and more attractive, and open to much shorter periods of time and theater programs consist of playing again and the only one. Banks and Marson (1998, p.45) claim that:
Court of Queen Victoria and the so-called Victorian morality and attitudes have affected the theater. Queen called on authorities and companies to provide 'command performance' at Windsor Castle;
Thus the stage is open and acceptable to all social classes, not just the lower classes from the earlier part of this century.
After the end of the Victorian period, and things began to change significantly. And Annie Horniman "one of the most important forces in shaping the theater of the twentieth century in England" (Flannery, 1970, p.34), and the financing of many projects worthy of attention and play the critically acclaimed and the launch of the functions of many famous personalities in the world of drama. I am one of the main promoters of realism in the theater in the United Kingdom, having noted with interest some of Ibsen's plays. She also became aware of the reference number of theaters in Germany and was keen to include England in the cultural value they brought. In and then bought Annie Horniman and the renewal or funded a number of theaters which go to achieve recognition of international, as well as development of modern movement reference and enrich the culture of United Kingdom dramatized, and which won an honorary Masters Degree. More importantly, cooperated with the Horniman Yates, the World Bank on the establishment of Abbey Theatre in Dublin as the first reference to British theater in 1903. In 1907, then bought the Gaiety Theatre in Manchester, and reconstruction as a reference to regional theater. Harold Brighouse was the last pro-fun Manchester, playwright and prolific of more than seventy plays. Brighouse was the dominant style of writing realism, and with Annie Horniman, was one of the British and the first to enter this project a new type of theater in British society. Brighouse, the author of 'Hobson's choice, and other writers who work in the realistic style, and likewise in the fun became known as the Manchester school, which influenced the work of many other regional theaters reference.
The weekly assessment process very stressful and paid all of the representatives and technical team to its borders. I usually play in the development of the law and play the three and that along with the performance of one play, maybe seven times a week, and would also have to learn lines and run the play and the prevention of second in the time between offers. However, from the standpoint of the public to watch, and offers a different vision even more than that, the nearby and cheaper than the western side, was a wonderful opportunity and exciting. Are local communities strongly support the actors, and will treat them like celebrities. According to this article on the 'reference' in Wikipedia, "The whole families in some cases, a visit to assess the local part of the weekly routine of their lives such as going to church." For many of the younger members of the public, and became a base for future approval and recognition and enjoyment of live theater, and indeed, the basis for their sense of social and cultural self. However, today the practice of a new play every week, and rehearsal for a week does not happen, and the exercise of delegate is likely to be seen in the large cities in the well-known institutions such as the evaluation of Birmingham where he plays run for a period ranging between three and six weeks. Now actors rehearse at least three weeks, and as a result, are producing the best view and performance. However, there is still disagreement in the assessment of weekly can be found in some places in the UK. For example, producer Charles Vance is still producing a successful representative in Sidmouth weekly on a rotational basis than a dozen plays.
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